The Bad Vibes Club Podcast: Jonathan Hoskins

Jonathan Hoskins, ‘OWN DE BEAUVOIR’, 2016. Book commissioned and supported by Open School East, 2014-2016. Image courtesy of the artist.

Bad Vibes Club Podcast co-host Beth Bramich spoke to the artist Jonathan Hoskins about gentrification, politics and his recently published book ‘OWN DE BEAUVOIR!’. Listen to the episode here.

The Bad Vibes Club will be hosting an event by Residence Kitchen (Jonathan Hoskins and Susannah Worth) at Flat Time House in 2018.


The Bad Vibes Club Podcast: Sophie Mallett

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Sophie Mallett, Paradise Island, 2017. Image courtesy the artist.

New Bad Vibes Club Podcast co-host Beth Bramich spoke to the artist Sophie Mallett about radio, collaboration and nationalism. Listen to the episode here.

The Bad Vibes Club presented a new performance by Sophie Mallett (feat. Jenny Moore on drums) at Supernormal Festival and a workshop and performance as part of In formation at the ICA in August 2017.

Looking up at the Library: An Interview with Ruth Beale

Ruth Beale, Bookbed, 2014. Image courtesy the artist.

The day after the opening of Ruth Beale’s exhibition ‘Bookbed’ at Peckham Platform the gallery is busy, the door swinging open and shut almost constantly. Beale is sitting opposite me on the eponymous bed explaining how the previous week has involved a lot of late night sewing. A stripy green mattress re-fashioned into the shape of an open book that curves gently away from its central ‘spine’, the Bookbed is wonderfully soft, a perfect place to sit, lie or curl up with a good book. Positioned in front of the gallery’s shop-window it is presented as a first taste of the exhibition to the passers-by of Peckham High Street. The situation is at once intimate – it’s not everyday an artist invites you into their bed – and performative: we are something of a spectacle, to those looking through the window, but also to the gallery visitor, who may never have dreamed of clambering onto an artwork.

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Artist Interview: Charlotte Prodger at Wysing Arts Centre


Charlotte Prodger, :-*, 2012. Ripped YouTube videos on Hantarex video monitors. Courtesy the artist.

Over the last five years Wysing Arts Centre has experimented with different programmatic structures in order to support artists to make new work. During 2013 they will be further exploring how structures, some visible and others implied, might be used to uncover meaning, narrative, paradox or indeed certainty through their prestigious residency programme. This year there will be two sets of residents, the first group is made up of Anna Barham, David Osbaldeston, Charlotte Prodger and Florian Roithmayr. The programme title, ‘Convention T’, refers to logician, mathematician and philosopher Alfred Tarski (1901-1983) who applied logic to sentence structure in order to make the truth visible through language. Tarski created a structure, a meta-language, that could be applied to real, everyday, language in order to generate true statements, known as T sentences -— ‘A and B’ is true if and only if A is true and B is true translates as Snow is white if and only if snow is white. 

The second of two interviews with Wysing’s 2013 artists-in-residence is with Charlotte Prodger, an artist based in Glasgow who works with 16mm film, video, writing and performance. She uses the meeting of language and technology to generate cross-associations and slippages, inviting new routes of interpretation. Source material includes YouTube videos, personal anecdotes and the legacy of structural film and queer subjectivity, which she uses to explore contradictions that arise between form and content.

Continue reading “Artist Interview: Charlotte Prodger at Wysing Arts Centre”