Knotted Mass II

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Holly Slingsby, ‘Knotted Mass II’, 2016–18. Courtesy the artist.

‘Knotted Mass II’ is an artist’s book developed from Holly Slingsby’s 2016 performance of the same name at The Bower‘s pop-up project, Finishing Touch, London. This work evolved from her research into the language of hair in the narratives of pop-cultural and mythical figures. It took place by candlelight, drawing from a rich selection of images, where hair is both subject and object, exploring its significance in popular culture, history, mythology and religion. ‘Knotted Mass II’ includes texts and images from the performance, new drawings, photographic documentation, and a specially commissioned text by Beth Bramich.

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Bad Vibes Club at Flat Time House

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Flat Time House is hosting The Bad Vibes Club in 2017–18, a forum for research into negative states. Whilst at Flat Time House, Beth Bramich and Matthew de Kersaint Giraudeau will host 6 months of reading groups, a number of live events, and the launch of a new publication in June 2018. Please come along! All welcome, if you haven’t managed to make the reading groups before, now is a great time to start.

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The Bad Vibes Club Podcast: Jonathan Hoskins

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Jonathan Hoskins, ‘OWN DE BEAUVOIR’, 2016. Book commissioned and supported by Open School East, 2014-2016. Image courtesy of the artist.

Bad Vibes Club Podcast co-host Beth Bramich spoke to the artist Jonathan Hoskins about gentrification, politics and his recently published book ‘OWN DE BEAUVOIR!’. Listen to the episode here.

The Bad Vibes Club will be hosting an event by Residence Kitchen (Jonathan Hoskins and Susannah Worth) at Flat Time House in 2018.

 

The Bad Vibes Club Podcast: Sophie Mallett

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Sophie Mallett, Paradise Island, 2017. Image courtesy the artist.

New Bad Vibes Club Podcast co-host Beth Bramich spoke to the artist Sophie Mallett about radio, collaboration and nationalism. Listen to the episode here.

The Bad Vibes Club presented a new performance by Sophie Mallett (feat. Jenny Moore on drums) at Supernormal Festival and a workshop and performance as part of In formation at the ICA in August 2017.

Caroline Achaintre

 

Caroline Achaintre, Double Wurst, 2015, installation view, BALTIC Centre for Contemporary Art, 2016. Photograph: John McKenzie © BALTIC
Caroline Achaintre, 2016, exhibition view, BALTIC Centre for Contemporary Art. Photograph: John McKenzie © BALTIC

The French/German, London-based artist Caroline Achaintre has been exploring the peculiar psychology of the mask for more than a decade. This has led her to some unusual places – from the costumes and characters of the European carnival and commedia dell’arte to catwalk fashion, S&M dens and schlocky sci-fi and horror films. Her work is heavily indebted to the German expressionists’ appropriation of primitive forms and the playful permissiveness of pop. Her first major survey, this exhibition brings together 63 works, including hand-tufted wool wall hangings, ceramic sculptures, prints and watercolours. Continue reading “Caroline Achaintre”

Cyber Intimacy

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Lynn Hershman-Leeson, Double Cross Click Click, 1995, video still.

CYBER INTIMACY:  A reading and watching group presented by Beth Bramich and Matthew de Kersaint Giraudeau of The Bad Vibes Club at Res., London, 16 September 2016

Join Beth Bramich and Matthew de Kersaint Giraudeau of The Bad Vibes Club in the Kathy Rae Huffman Archive Reading Room at Res. to read Huffman’s CYBER INTIMACY: From Net Nookie to Coffee Talk (1995) alongside a screening of excerpts of moving image works from Huffman’s programme of the same name.

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